"Often we can have our hands on auto-pilot and that's where our musicality is not at play any more.
By incorporating consistent motion into our playing, this assists with the groove we create. - Benny Greb - Now, you may believe that Benny has always been as tall and as bearded and as handsome and as musically gifted as he is currently is! England and Wales company registration number 2008885. BA1 1UA. "I always was interested in this quality of groove and how we can change the emotional impact of what we play; it's all about the flow. Again, Benny busts certain myths and preconceived ideas within the 'Tuning' section, stripping it back to the very essentials.Included are performances from Benny's Moving Parts trio, along with solo performances, making for compulsive and repeatedly enjoyable viewings.The Art and Science of Groove will help all drummers find that most unique and undeniable feeling that is Groove!Don't miss the latest deals, news, reviews, features and tutorialsThank you for signing up to Musicradar.
"In The Art and Science of Groove, Benny introduces the five core elements of Time, Feel, Sound, Body and Mind and then sets out to shatter certain myths about this elusive, often misunderstood subject of groove, tackling each element so that Benny's practical and entertaining approach can be used and enjoyed by drummers of all levels. Being aware of our body and how we can use it to create flow is as important as how we hold the sticks! I found it very useful for myself to really hear the space in between and get a consistent time, especially with super-slow tempos. Benny points out that there is always so much more going on than just playing perfectly to the click and getting comfortable with the downbeat, as well as how important it is not to delegate the time to a machine, but rather to generate a solid and reliable groove of our own that is fully appropriate to the music, making the drum part sit within the musical context.The Feel chapter demonstrates further alternative approaches to making our playing groove, with Benny detailing his views on not what we play, but how we play, and how those qualities make the music feel. You will receive a verification email shortly.There was a problem. "The Feel chapter is really about the concept of where does groove come from and how it has an effect and can work even without having perfect time and yet the music still feels great!
"I offer ideas that can be used where we don't have to count the time but use sound to help with timekeeping. Please refresh the page and try again.MusicRadar is part of Future plc, an international media group and leading digital publisher. The Language of Drumming helps you express yourself through the drums by focusing on the most basic components: the individual letters of the rhythmic alphabet. "The cogs in this chain can have a huge impact on what we create, and Benny admits that he came up with solutions due to his own frustration, finding that they worked for him and for the students he would teach at drum camps. I wanted to get this element into the DVD so that we consider what our expectation is of what we want to play, how it should sound and how it should feel. As Benny explains, "With a metronome, the beats come where we expect them, but by employing the 'Gap click' and 'Moving click' concepts we can train our alarm system to make appropriate adjustments, thereby becoming much more comfortable with all the subdivisions."
But if you dont listen to Jazz for example, youll NEVER play Jazz (authentically) like a Jazz musician. By listening closely and picking a point in the 'shape' of a decaying note for example, that can guide you to where the next note should come and the time then becomes super consistent.
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