September 3, 2020

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"The grueling academy schedule really polished my technique."

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In Houston, Melendez saw no shortage of stage time. Unlike a weakened shank, damaged outer fabric does not affect the performance of a shoe. Mid-18th century dancer Marie Camargo of the Paris Opéra Ballet was the first to wear a non-heeled shoe, enabling her to perform leaps that would have been difficult, if not impossible, in the more conventional shoes of the age. Develop yourself no matter what you get. Dr. Sue Mayes, director of The Australian Ballet's pioneering Artistic Health program, collects data on all musculoskeletal complaints in the company, and she advises that proper fit for shoes is paramount to injury risk reduction. To compensate for this, she inserted toughened leather soles into her shoes for extra support and flattened and hardened the toe area to form a box.

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Though she's occasionally felt homesick for the classics, Melendez believes that dancing with Complexions allows her to dance as the fully mature version of herself. The history of pointe shoes reveals how a delicately darned slipper introduced in the 1820s has transformed into a technical tool that offers dancers the utmost freedom onstage today. Ballet Black dancers Cira Robinson and Marie Astrid Mence model Freed's line.

Though she's occasionally felt homesick for the classics, Melendez believes that dancing with Complexions allows her to dance as the fully mature version of herself. Dancers will sometimes wear different pointe shoe models for different performance pieces. Melendez had even started talking herself into taking a year off from dance when she decided at the last minute to attend Complexions' open call in New York City. "She has a theatricality about her: When the music comes on, she gets swept away." She taught Queen Mary of England how to curtsy. The shoes' cardboard insoles were reinforced with leather. Italian dancers traveled to Russia, where ballet was extremely popular in the imperial courts, and ultimately influenced Marius Petipa to incorporate pointework into his ballets. "As much as Clara was a fun role, and as much as I love watching classical ballet, I don't want to always be typecast as a little girl," she explains.

, Wearing a beige and brown striped leotard with red embellishments, Dara Holmes does relev\u00e9 arabesque on her right leg and lifts both arms high into fifth position.

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